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by Michael Mell Most of us have been fortunate in our professional lives to have had someone who took us under their wing. These people are variously known as ‘mentor,’ ‘teacher’ or ‘rabbi.’ but I think of mine as a ‘friend’ in the purest sense of the word — someone who cares about you. They guide us, support us, encourage us, nudge us, annoy us, look out for us, tell us what we don’t want to hear and are always willing and available to help. They do this naturally, without thinking — it is simply part of their nature. My friend has been and is Sonny Sonnenfeld, who recently retired to Las Vegas after many years in the architectural and stage lighting business. If you have attended any industry convention, you have certainly seen him. Twenty-five years ago Sonny visited Brannigan Lorelli Associates where I had accepted a position after a few frustrating years of trying to support myself as a lighting designer. He brought bagels and coffee (his trademark) and immediately introduced himself. Within a few minutes we were talking as though we had known each other for years. Then the trouble started. He would come by the office with several legal pad sheets worth of handwritten notes for me. I should visit so-and-so . . . I should write an article for such-and-such a magazine . . . I should read this article . . . I should take this or that class. Sheesh! I had a full-time job and was plenty busy. How could I find time for this (even if I wanted)? I am now older and (hopefully) wiser and am very glad that Sonny took the time to care about me. His friendship has taught me things about life and theater consulting that I could never have learned elsewhere. At his retirement party I received a surprise. Attending were stage lighting designers, architectural lighting designers, theater consultants, engineers, manufacturers, sales people, family and friends. This was not the surprise. The ages ranged from early twenties to middle seventies. This was not a surprise because I already knew that Sonny knew everyone in the business. What knocked me for a loop was when people were invited to the microphone to say a few words and they all had stories similar to mine! I was so jealous. I thought the special relationship we had was unique. After my turn at the mic, I realized that this was one of Sonny’s most special talents: to make everyone feel like his personal friend. Richard Pilbrow (lighting designer and head of Theatre Projects Consultants) told this story at the party. He didn’t know Sonny was a salesman for several months until one of his staff told him. Richard thought Sonny was just a friend of someone at the firm — and so he was. You may now be wondering why this article has been published in Facility Manager. Aside from paying homage to Sonny, I believe his approach to working in the theater is relevant to all of us. Everyone must learn “how to get along.” This life lesson is especially important for those who work with the public and supervise diverse staff. Sonny recently published an article in Lighting & Sound America entitled, “How I Got To Be A Retiree.” In it he lists some things he would like to pass on. With his permission I will repeat them here:
Without consciously being aware (Sonny teaches the most important things without you even realizing) I find that I have been following this advice. In general I have been successful. For instance, I am writing this on a sunny Saturday afternoon when I could be outside. On the other hand, taking criticism (constructive or otherwise) still needs a bit of work (Grrrr!) I hope you will find Sonny’s advice as useful as I have and that you will, in turn, pass it on to those you work with. Las Vegas is not that far away, in the scheme of things, but phone, fax and email can’t compare to having lunch (always his treat) talking shop, talking life and hearing a new story. Michael Mell is president of Theater Design Inc., a firm providing feasibility studies, programming and planning and theater consulting for performing arts facilities. In addition to his work in the States, he has been involved in the design of facilities in Canada, Mexico, South America, Europe and Asia. His firm designs theaters, concert halls, recital halls, dance theaters, multi-purpose theaters, places of worship and multi-venue performing arts centers. He may be reached via his web site at www.theaterdesigninc.com. |
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©
2002-2005
International Association of Assembly Managers |