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By Janet L. Taylor

The occasion of the Tenth Anniversary of the opening of the Aronoff Center for the Arts was an opportunity for reflection on the original mission and what had been achieved. From resident arts groups to audiences, from adjacent businesses and restaurants to newspaper writers, the assessment, as one might expect, was that the glass was either half full or half empty. To those of us on staff this was somewhat disconcerting.

Reflecting on these differing views caused us to understand that the way in which we were being reviewed was dependent upon why people thought the building had been built in the first place. Was it a downtown development engine? Was it to be an incubator of small arts groups? As an organization, were we to manage a building? Were we to bring programming to the community? And so the conversations began within our organization as we tried to answer for ourselves why we came to work each day and what we hoped to accomplish. We needed to plan our future.

There are a surprisingly large number of performing arts organizations currently involved with the process, either considering a plan, revising an old plan or embarking on a new plan. The impetus differs for each organization. Some are internal such as helping a new operation assess strengths, weaknesses and determine priorities. Some are prepared for an external funding body or governing agency. Some arise from negative stimuli like a downturn in resources, while others are needed to address new opportunities. But whatever the reason for starting the process, there seemed to be quite a few organizations disappointed in the results of their efforts. Before joining those already on this path, it seemed important to find out what the common causes of failure were. They seemed to fall into several broad categories; commitment, communication, and product.

Commitment
Some organizations entered into the process because it was fashion, and without the commitment to use the strategic plan as a tool to achieve their vision. Some in management failed to shift focus from day-to-day activities and responding to emergencies to the higher priority of long-range goals. Others abandoned the plan, lacking the discipline to wait for the benefits expected in the long-term.

Communication
Poor communication at various crucial points in the process was a potential pitfall. Though the input and ideas of all participants were gathered to arrive at a plan, there was a lack of consensus that the final product was something everyone could get behind. Often there was no vital feedback loop to refine the strategy to be realistic. Overlooked by many was the document itself; volumes and chapters instead of pages and paragraphs; strategies hidden by complicated wording making it confusing to many. And when the document was incomprehensible, it was impossible for management to explain it to the staff expected to implement it.

Product
One of the most common failures of the final product was an incomplete consideration of resources. There might be an inadequate link between strategy and action, or the crucial element of “human capital” was not taken into account. After crafting an exciting list of strategic initiatives, staff was faced with the crushing reality that the organization simply could not afford to implement them. Surely the saddest reason for failure of a plan was that it lacked a vision compelling enough to motivate the efforts of the organization toward the long-term goal.

When asked how best to avoid these, the unanimous answer from colleagues and consultants alike was to pre-plan the planning process. Borrowing from a concept called “Appreciative Inquiry” is the four “D” cycle for the steps of a planning process; Discovery, Dreaming, Design and Delivery. Discovery is the period of environmental assessment which establishes a baseline with constraints and opportunities. Dreaming is the sharing of vision and mission, unfettered by any reality checks and which helps move everyone toward a consensus. Design is the phase which incorporates the decision criteria and prioritization of strategies into a comprehensive plan, complete with implementation activities and measures of success. And finally Delivery, the roll-out of the plan to all the constituencies involved in its creation.

The key members of the management team working with a consultant should establish expectations for each of these stages and create a list of specific deliverables. This would include developing answers to key questions: What is the state of organizational readiness? How broad should participation be and at what levels? For example, is this a board-led initiative with staff providing information and feedback? Is this a staff-driven initiative with high level board involvement? To what depth will the process take you; will it remain at high level mission and values without restriction or should it develop reality-based operational goals and objectives? What will the report look like and what are the components?

Nothing can be considered so much a failure as a plan that entails months of initiatives, interviews, discussions, writing, and final approval – only to find it shelved in a binder gathering dust until its three or five year term runs out and it is time to do the exercise again. Hopefully, awareness of the pitfalls and a carefully crafted pre-plan will result in a strategic plan that can guide an organization well into its future. 


Janet L. Taylor is vice president/general manager of the Cincinnati Arts Association. Special thanks to Andrea Stevenson, Deidre Tavera, Lorrin Shepard and Thomas Hall for sharing their thoughts and experiences with Strategic Planning.

 
 

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